Sexuality, Gender, Masculinity, And Sexual Orientation

For most heterosexuals, when they see a person, they see them as heterosexual unless the observed person displays some â€Å"homosexual† characteristic, such as being flamboyant for males. Despite the progressions society has made in accepting the LGBTQ+ community, there is still a long way to go to de-genderize sexuality, or to unlink sexuality, gender identity, and gender roles. As seen in various studies including â€Å"The Complex Negotiations of Gender Roles, Gender Identity, and Sexual Orientation† by Nagoshi et. al, â€Å"Does Nature Rule? A Sex Reassignment Tragedy† by Lindsey, and â€Å"‘I Always Felt I Had to Prove My Manhood’: Homosexuality, Masculinity, Gender Role Strain, and HIV Risk Among Young Black Men Who Have Sex With Men† by Fields, sexuality is often strongly associated to gender identity, which is in turn influenced by behavioral gender roles due to gender socialization. From the gendering of sexuality comes various other social issues, including the discrimination against people in the LGBTQ+ community and an increased chance of HIV in homosexual men. First, where does gendering come from, in the first place? Published in 1988, the study, â€Å"Parents gender-stereotyped perceptions of Newborns: The Eye of the Beholder revisited† by Hildebrandt et. al, revisited an old study stating that parents were found to have had gender-based expectations of their children as early as twenty-four hours after birth in 1974. Fourteen years later in 1988, such expectations, while lessShow MoreRelatedSexuality Is Defined By Sexual Orientation1538 Words   |  7 PagesSexuality is defined by â€Å"sexual orientation or preference† as well as the ability to understand the capacity of sexual desires. Same sex sexuality refers to sexual orientation also, but one’s preference towards someone of their same gender and the â€Å"erotic thoughts, feelings and behaviours† they assign to those of the same sex. Culturally, same sex sexuality is not always based on sexual ideals, acts that could be defined as being homosexual a nd appealing to those with same sex sexuality, oftenRead MoreBack In The Day, Bruce Lee Had Gained Popularity In The1686 Words   |  7 PagesBig Boss,† all the way to latest movie we’ve watched, â€Å"Way of the Dragon.† By studying his life and the movies he created, this paper will help reveal the ideas of race, specifically racism and the white knight theory, gender and gender roles in society, and how a character’s sexuality can be used to improve or degrade a character’s persona. Race and ethnicity play a pivotal role in our lives, informing how we see ourselves and the world. Many of Bruce Lee’s work involved the ideas of race, at theRead MoreCommon Sense Explanations And The Explanations Of C. Wright Mills Theory Of The Sociological Imagination1534 Words   |  7 Pagesexplain the topic of sexuality. I consider sexuality to be an umbrella term for various features, including sexual orientation, sexual activity, masculinity/femininity and gender roles. Each of which will be looked at in this essay in order to explore the topic of sexuality in relation to common sense and the Sociological Imagination. Sexual orientation is commonly viewed as the term to describe an individual’s attraction for others; who they want to have sex with. This sexual attraction is what’sRead MoreSexual Assault And Its Effects On The Middle Upper Class Essay1636 Words   |  7 PagesIntroduction I argue that current research on sexual assault focuses disproportionately on the experiences of White, middle-upper class, heterosexual survivors. Due to this focus on White, college aged, female experiences of sexual assault, survivors who identify with minority groups such as the LGBTQ+ community, racial/ethnic minorities, and with the lower class do not have the support services needed to help them recover from sexual assault. Understanding how minority persons needs differ can helpRead MoreExamining Sub-Cultures: The Goth Culture1665 Words   |  7 Pagesthat have been instilled in humanity, with the consideration that this varies across cultures. The paradigm between collective action and individual desire results in the formation of what is deemed socially acceptable, such as gender roles, sexual orientation, gender performance etc. â€Å"It is social norms that provide the constraints by which the interaction between the basic dyad of self and other is governed†¦so cial norms also provide the source of identity between the individual action, the completeRead MoreIs Sports A Good Thing? Essay1148 Words   |  5 Pagesperceived failures to fulfill gender criteria †¦accomplish the policing of supposedly natural gender boundaries to repair breaches to heteronormativity.†. With this said, it seems as though we as a society need to break away from the norms set in place because they do not offer people the freedom of being themselves, rather, they create rules that are non binary to those of opposing gender and sexual identity. Social agents such as parents and educators who believe in gender typing often influence youngRead MoreThe Topic Of Sexuality1144 Words   |  5 PagesIntroduce the topic of sexuality (para)- Horrocks (1997) points out in his book that sexuality encircles multiple aspects of human existence. Sexuality is then, not a uniform or simple phenomenon and is influenced by the interaction of psychological, biological, social, cultural factors and many more. Horrocks (1997), suggests that to try and understand or explain a definitive conclusion about sexuality seems impossible as sexuality has different meanings to so many groups of people. IntroduceRead MoreAttraction, Gender Roles, and Homosexuality: an Analysis of Brokeback Mountain1306 Words   |  6 PagesAttraction, Gender Roles, and Homosexuality: An Analysis of Brokeback Mountain Professor Frattaroli P118D: Winter 2011 Introduction In this paper, I will identify examples from the film Brokeback Mountain that exemplify concepts of human sexuality – specifically, attraction; gender roles and socialization; and sexual orientation – in attempts to discuss the accurate portrayal of the concept within the scene, in concordanceRead MoreGender Is The Definition Of Gender1345 Words   |  6 PagesOctober 29, 2015 What is Gender? The definition of gender depends on the time period. The basic and historically accepted version of the definition of gender is the state of being either male or female, masculine or feminine, or simply a man or woman. Historically we have lived in a world that only had binary gender, meaning that a person was solely either a man or a woman. While that is the general definition that has been accepted as a baseline representation of what gender is, in today’s societyRead More Gender and Sexuality in Sports Essay973 Words   |  4 PagesGender and Sexuality in Sports When individuals, male or female, decide to enter a non-traditional sport for his/ her gender, there will inevitably be benefits and costs. Because sports themselves are divided along gender and race lines, one would expect that individuals who intend to play a sport deemed by culture and by society as counterintuitive are bound to be criticized and alienated because of their choices. Difference automatically threatens conventions, traditions, and expectations, and

Billy Pilgrims Struggle with PTSD in Vonneguts...

In order to illustrate the devastating affects of war, Kurt Vonnegut afflicted Billy Pilgrim with Post Traumatic Stress Disorder (PTSD), which caused him to become â€Å"unstuck in time† in the novel. Billy Pilgrim illustrates many symptoms of PTSD throughout the story. Vonnegut uses these Slaughterhouse Five negative examples to illustrate the horrible and devastating examples of war. The examples from the book are parallel to real life experiences of war veterans, including Vonnegut’s, and culminate in a very effective anti-war novel. Although Kurt Vonnegut does not say in his novel that Billy Pilgrim has PTSD, it is implied by the first hand view into Pilgrim’s mind. Looking at the symptoms of PTSD it’s reasonable to infer that he was†¦show more content†¦Ã¢â‚¬ ¦ Disorientation and confusionâ€Å" (Trauma/PTSD). Vonnegut writes, in one of the very first chapters, â€Å"Billy Pilgrim has come unstuck in time. Billy has gone to sleep a senile widower and awakened on his wedding day† (Vonnegut 23). Throughout the book we are taken on a spastic and wild journey from one moment in Pilgrim’s life to another. For instance, Pilgrim is walking through the horribly cold, bleak and depressing German landscape with â€Å"The Three Musketeers† and ends up being dragged by Weary most of the way. As soon as the two scouts ditch him and Weary and it seems their ordeal couldn’t get any worse, Pilgrim â€Å"time travels† to a moment in which he has just won the Presidency of The Lion’s Club and proceeds to gives an impressive speech. (Vonnegut 48-50). This sort of behavior, completely dissociating oneself from the horrible situation at hand, is typical of PTSD. Pilgrim wanted to escape completely from the cold and depressing â€Å"hell† he was in and be back in happiness, where he had just won a successful campaign for the Presidency of his club. This is what happens throughout the book and it is simply another example of Pilgrim’s widespread and horribly debilitating case of PTSD. Yet another incident that points out Pilgrim’s PTSD is one in which he experiences the symptoms described as, â€Å"†¦ veterans complained of palpitations, chest pain, headache, dimness of vision and giddiness† (Saperstein). One major example of this

Rubaiyat of Omar Khayyam Free Essays

string(182) " 32 There was a Door to which I found no Key: There was a Veil past which I could not see: Some little Talk awhile of ME and THEE There seemed—and then no more of THEE and ME\." Edward FitzGerald’s Translation. 1 Awake! for Morning in the Bowl of Night Has flung the Stone that puts the Stars to Flight: And Lo! the Hunter of the East has caught The Sultan’s Turret in a Noose of Light. 2 Dreaming when Dawn’s Left Hand was in the Sky I heard a Voice within the Tavern cry, â€Å"Awake, my Little ones, and fill the Cup â€Å"Before Life’s Liquor in its Cup be dry. We will write a custom essay sample on Rubaiyat of Omar Khayyam or any similar topic only for you Order Now † 3 And, as the Cock crew, those who stood before The Tavern shouted–â€Å"Open then the Door! â€Å"You know how little while we have to stay, â€Å"And, once departed, may return no more. † 4 Now the New Year reviving old Desires, The thoughtful Soul to Solitude retires, Where the WHITE HAND OF MOSES on the Bough Puts out, and Jesus from the Ground suspires. ***** 5 Iram indeed is gone with all its Rose, And Jamshyd’s Sev’n-ring’d Cup where no one knows; But still the Vine her ancient Ruby yields, And still a Garden by the Water blows. 6 And David’s Lips are lock’t; but in divine High piping Pehlevi, with â€Å"Wine! Wine! Wine! â€Å"Red Wine! â€Å"—the Nightingale cries to the Rose That yellow Cheek of hers to incarnadine. 7 Come, fill the Cup, and in the Fire of Spring The Winter Garment of Repentance fling: The Bird of Time has but a little way To fly—and Lo! the Bird is on the Wing. And look—a thousand Blossoms with the Day Woke—and a thousand scatter’d into Clay: And this first Summer Month that brings the Rose Shall take Jamshyd and Kaikobad away. ***** 9 But come with old Khayyam, and leave the Lot Of Kaikobad and Kaikhosru forgot! Let Rustum lay about him as he will, O r Hatim Tai cry Supper—heed them not. 10 With me along some Strip of Herbage strown That just divides the desert from the sown, Where name of Slave and Sultan scarce is known, And pity Sultan Mahmud on his Throne. 11 Here with a Loaf of Bread beneath the Bough, A Flask of Wine, a Book of Verse—and Thou Beside me singing in the Wilderness— And Wilderness is Paradise enow. 12 â€Å"How sweet is mortal Sovranty! â€Å"—think some: Others—â€Å"How blest the Paradise to come! † Ah, take the Cash in hand and waive the Rest; Oh, the brave Music of a distant Drum! ***** 13 Look to the Rose that blows about us—â€Å"Lo, â€Å"Laughing,† she says, â€Å"into the World I blow: â€Å"At once the silken Tassel of my Purse â€Å"Tear, and its Treasure on the Garden throw. † 14 The Worldly Hope men set their Hearts upon Turns Ashes—or it prospers; and anon, Like Snow upon the Desert’s dusty Face Lighting a little Hour or two—is gone. 15 And those who husbanded the Golden Grain, And those who flung it to the Winds like Rain, Alike to no such aureate Earth are turn’d As, buried once, Men want dug up again. 16 Think, in this batter’d Caravanserai Whose Doorways are alternate Night and Day, How Sultan after Sultan with his Pomp Abode his Hour or two, and went his way. ***** 17 They say the Lion and the Lizard keep The Courts where Jamshyd gloried and drank deep; And Bahram, that great Hunter—the Wild Ass Stamps o’er his Head, and he lies fast asleep. 18 I sometimes think that never so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in its Lap from some once lovely Head. 19 And this delightful Herb whose tender Green Fledges the River’s Lip on which we lean— Ah, lean upon it lightly! for who knows From what once lovely Lip it springs unseen! 20 Ah, my Beloved, fill the Cup that clears TO-DAY of past Regrets and future Fears— To-morrow? —Why, To-morrow I may be Myself with Yesterday’s Sev’n Thousand Years. ***** 21 Lo! some we loved, the loveliest and best That Time and Fate of all their Vintage prest, Have drunk their Cup a Round or two before, And one by one crept silently to Rest. 22 And we, that now make merry in the Room They left, and Summer dresses in new Bloom, Ourselves must we beneath the Couch of Earth Descend, ourselves to make a Couch—for whom? 23 Ah, make the most of what we yet may spend, Before we too into the Dust descend; Dust into Dust, and under Dust, to lie, Sans Wine, sans Song, sans Singer, and—sans End! 24 Alike for those who for TO-DAY prepare, And those that after a TO-MORROW stare, A Muezzin from the Tower of Darkness cries â€Å"Fools! your Reward is neither Here nor There! † ***** 25 Why, all the Saints and Sages who discuss’d Of the Two Worlds so learnedly, are thrust Like foolish Prophets forth; their Words to Scorn Are scatter’d, and their Mouths are stopt with Dust. 26 Oh, come with old Khayyam, and leave the Wise To talk; one thing is certain, that Life flies; One thing is certain, and the Rest is Lies; The Flower that once has blown for ever dies. 27 Myself when young did eagerly frequent Doctor and Saint, and heard great Argument About it and about: but evermore Came out by the same Door as in I went. 28 With them the Seed of Wisdom did I sow, And with my own hand labour’d it to grow: And this was all the Harvest that I reap’d— â€Å"I came like Water, and like Wind I go. † ***** 29 Into this Universe, and why not knowing, Nor whence, like Water willy-nilly flowing: And out of it, as Wind along the Waste, I know not whither, willy-nilly blowing. 30 What, without asking, hither hurried whence? And, without asking, whither hurried hence! Another and another Cup to drown The Memory of this Impertinence! 31 Up from Earth’s Centre through the Seventh Gate I rose, and on the Throne of Saturn sate, And many Knots unravel’d by the Road; But not the Knot of Human Death and Fate. 32 There was a Door to which I found no Key: There was a Veil past which I could not see: Some little Talk awhile of ME and THEE There seemed—and then no more of THEE and ME. You read "Rubaiyat of Omar Khayyam" in category "Essay examples" **** 33 Then to the rolling Heav’n itself I cried, Asking, â€Å"What Lamp had Destiny to guide â€Å"Her little Children stumbling in the Dark? † And—â€Å"A blind Understanding! † Heav’n replied. 34 Then to this earthen Bowl did I adjourn My L ip the secret Well of Life to learn: And Lip to Lip it murmur’d—â€Å"While you live â€Å"Drink! —for once dead you never shall return. † 35 I think the Vessel, that with fugitive Articulation answer’d, once did live, And merry-make; and the cold Lip I kiss’d How many Kisses might it take—and give! 36 For in the Market-place, one Dusk of Day, I watch’d the Potter thumping his wet Clay: And with its all obliterated Tongue It murmur’d—â€Å"Gently, Brother, gently, pray! † ***** 37 Ah, fill the Cup:—what boots it to repeat How Time is slipping underneath our Feet: Unborn TO-MORROW, and dead YESTERDAY, Why fret about them if TO-DAY be sweet! 38 One Moment in Annihilation’s Waste, One Moment, of the Well of Life to taste— The Stars are setting and the Caravan Starts for the Dawn of Nothing—Oh, make haste! 39 How long, how long, in infinite Pursuit Of This and That endeavour and dispute? Better be merry with the fruitful Grape Than sadden after none, or bitter, Fruit. 40 You know, my Friends, how long since in my House For a new Marriage I did make Carouse: Divorced old barren Reason from my Bed, And took the Daughter of the Vine to Spouse. ***** 41 For â€Å"IS† and â€Å"IS-NOT† though with Rule and Line, And â€Å"UP-AND-DOWN† without, I could define, I yet in all I only cared to know, Was never deep in anything but—Wine. 42 And lately, by the Tavern Door agape, Came stealing through the Dusk an Angel Shape Bearing a Vessel on his Shoulder; and He bid me taste of it; and ’twas—the Grape! 43 The Grape that can with Logic absolute The Two-and-Seventy jarring Sects confute: The subtle Alchemist that in a Trice Life’s leaden Metal into Gold transmute. 4 The mighty Mahmud, the victorious Lord, That all the misbelieving and black Horde Of Fears and Sorrows that infest the Soul Scatters and slays with his enchanted Sword. ***** 45 But leave the Wise to wrangle, and with me The Quarrel of the Universe let be: And, in some corner of the Hubbub coucht, Make Game of that which makes as much of Thee. 46 For in and out, above, about, below, ‘Tis nothing but a Magic Shadow-show, Play’d in a Box whose Candle is the Sun, Round which we Phantom Figures come and go. 47 And if the Wine you drink, the Lip you press, End in the Nothing all Things end in —Yes— Then fancy while Thou art, Thou art but what Thou shalt be—Nothing—Thou shalt not be less. 48 While the Rose blows along the River Brink, With old Khayyam the Ruby Vintage drink: And when the Angel with his darker Draught Draws up to Thee—take that, and do not shrink. ***** 49 ‘Tis all a Chequer-board of Nights and Days Where Destiny with Men for Pieces plays: Hither and thither moves, and mates, and slays, And one by one back in the Closet lays. 50 The Ball no Question makes of Ayes and Noes, But Right or Left, as strikes the Player goes; And He that toss’d Thee down into the Field, *He* knows about it all—He knows—HE knows! 1 The Moving Finger writes; and, having writ, Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it. 52 And that inverted Bowl we call The Sky, Whereunder crawling coop’t we live and die, Lift not thy hands to *It* for help—for It Rolls i mpotently on as Thou or I. ***** 53 With Earth’s first Clay They did the Last Man’s knead, And then of the Last Harvest sow’d the Seed: Yea, the first Morning of Creation wrote What the Last Dawn of Reckoning shall read. 54 I tell Thee this—When, starting from the Goal, Over the shoulders of the flaming Foal Of Heav’n Parvin and Mushtara they flung, In my predestin’d Plot of Dust and Soul 55 The Vine had struck a Fibre; which about If clings my Being—let the Sufi flout; Of my Base Metal may be filed a Key, That shall unlock the Door he howls without 56 And this I know: whether the one True Light, Kindle to Love, or Wrathconsume me quite, One Glimpse of It within the Tavern caught Better than in the Temple lost outright. ***** 57 Oh, Thou, who didst with Pitfall and with Gin Beset the Road I was to wander in, Thou wilt not with Predestination round Enmesh me, and impute my Fall to Sin? 58 Oh, Thou, who Man of baser Earth didst make, And who with Eden didst devise the Snake; For all the Sin wherewith the Face of Man Is blacken’d, Man’s Forgiveness give—and take! KUZA-NAMA (â€Å"Book of Pots. â€Å") 59 Listen again. One Evening at the Close Of Ramazan, ere the better Moon arose, In that old Potter’s Shop I stood alone With the clay Population round in Rows. 60 And, strange to tell, among that Earthen Lot Some could articulate, while others not: And suddenly one more impatient cried— â€Å"Who *is* the Potter, pray, and who the Pot? † ***** 61 Then said another—â€Å"Surely not in vain â€Å"My Substance from the common Earth was ta’en, â€Å"That He who subtly wrought me into Shape Should stamp me back to common Earth again. † 62 Another said—â€Å"Why, ne’er a peevish Boy, â€Å"Would break the Bowl from which he drank in Joy; â€Å"Shall He that *made* the Vessel in pure Love â€Å"And Fancy, in an after Rage destroy! † 63 None answer’d this; but after Silence spake A Vessel of a more ungainly Make: â€Å"They sneer at me for learning all awry; â€Å"What! did the Hand then of the Potter shake? † 64 Said one—â€Å"Folk of a surly Tapster tell â€Å"And daub his Visage with the Smoke of Hell; â€Å"They talk of some strict Testing of us—Pish! â€Å"He’s a Good Fellow, and ‘t will all be well. † ***** 65 Then said another with a long-drawn Sigh, My Clay with long oblivion is gone dry: â€Å"But, fill me with the old familiar Juice, â€Å"Methinks I might recover by-and-bye! † 66 So while the Vessels one by one were speaking, One spied the little Crescent all were seeking: And then they jogg’d each other, â€Å"Brother! Brother! â€Å"Hark to the Porter’s Shoulder-knot a-creaking! † 67 Ah, with the Grape my fading Life provide, And wash my Body whence the Life has died, And in the Windingsheet of Vine-leaf wrapt, So bury me by some sweet Garden-side. 68 That ev’n my buried Ashes such a Snare Of Perfume shall fling up into the Air, As not a True Believer passing by But shall be overtaken unaware. ***** 9 Indeed the Idols I have loved so long Have done my Credit in Men’s Eye much wrong: Have drown’d my Honour in a shallow Cup, And sold my Reputation for a Song. 70 Indeed, indeed, Repentance oft before I swore—but was I sober when I swore? And then and then came Spring, and Rose-in-hand My thread-bare Penitence apieces tore. 71 And much as Wine has play’d the Infidel And robb’d me of my Robe of Honour—well, I often wonder what the Vintners buy One half so precious as the Goods they sell. 72 Alas, that Spring should vanish with the Rose! That Youth’s sweet-scented Manuscript should close! The Nightingale that in the Branches sang, Ah, whence, and whither flown again, who knows! ***** 73 Ah Love! could thou and I with Fate conspire To grasp this sorry Scheme of Things entire, Would not we shatter it to bits—and then Re-mould it nearer to the Heart’s Desire! 74 Ah, Moon of my Delight who Know’st no wane The Moon of Heav’n is rising once again: How oft hereafter rising shall she look Through this same Garden after me—in vain! 75 And when Thyself with shining Foot shall pass Among the Guests Star-scatter’d on the Grass, And in thy joyous Errand reach the Spot Where I made one—turn down an empty Glass! TAMAM SHUD (It is completed. ) How to cite Rubaiyat of Omar Khayyam, Essay examples